Being Woman !!!

"The higher mental development of woman, the less possible it is for her to meet a congenial male who will see in her, not only sex, but also the human being, the friend, the comrade and strong individuality, who cannot and ought not lose a single trait of her character." - Emma Goldman

WHEN WE TWO PARTED

         HEN we two parted

In silence and tears,

Half broken-hearted

To sever for years,

Pale grew thy cheek and cold,

Colder thy kiss;

Truly that hour foretold

Sorrow to this.

 

The dew of the morning

Sunk chill on my brow--

It felt like the warning

Of what I feel now.

Thy vows are all broken,

And light is thy fame:

I hear thy name spoken,

And share in its shame.

 

They name thee before me,

A knell to mine ear;

A shudder comes o'er me--

Why wert thou so dear?

They know not I knew thee,

Who knew thee too well:

Lond, long shall I rue thee,

Too deeply to tell.

 

I secret we met--

I silence I grieve,

That thy heart could forget,

Thy spirit deceive.

If I should meet thee

After long years,

How should I greet thee?

With silence and tears.

WE'LL GO NO MORE A-ROVING by: George Gordon (Lord) Byron

WE'LL GO NO MORE A-ROVING
by: George Gordon (Lord) Byron (1788-1824)

O, we'll go no more a-roving

So late into the night,

Though the heart be still as loving,

And the moon be still as bright.

 

For the sword outwears its sheath,

And the soul wears out the breast,

And the heart must pause to breathe,

And love itself have a rest.

 

Though the night was made for loving,

And the day returns too soon,

Yet we'll go no more a-roving

By the light of the moon.

THERE BE NONE OF BEAUTY'S DAUGHTERS by: George Gordon (Lord) Byron

HERE be none of Beauty's daughters

With a magic like Thee;

And like music on the waters

Is thy sweet voice to me:

When, as if its sound were causing

The charméd ocean's pausing,

The waves lie still and gleaming,

And the lull'd winds seem dreaming:

And the midnight moon is weaving

Her bright chain o'er the deep,

Whose breast is gently heaving

As an infant's asleep:

So the spirit bows before thee

To listen and adore thee;

With a full but soft emotion,

Like the swell of Summer's ocean.

by: George Gordon (Lord) Byron (1788-1824)

SHE WALKS IN BEAUTY by: George Gordon (Lord) Byron (1788-1824)

               

HE walks in beauty, like the night

Of cloudless climes and starry skies;

And all that's best of dark and bright

Meet in her aspect and her eyes:

Thus mellow'd to that tender light

Which heaven to gaudy day denies.

 

One shade the more, one ray the less,

Had half impair'd the nameless grace

Which waves in every raven tress,

Or softly lightens o'er her face;

Where thoughts serenely sweet express

How pure, how dear their dwelling-place.

 

And on that cheek, and o'er that brow,

So soft, so calm, yet eloquent,

The smiles that win, the tints that glow,

But tell of days in goodness spent,

A mind at peace with all below,

A heart whose love is innocent!

AND THOU ART DEAD, AS YOUNG AND FAIR by: George Gordon (Lord) Byron (1788-1824)

ND thou art dead, as young and fair

As aught of mortal birth;

And form so soft, and charms so rare,

Too soon return'd to Earth!

Though Earth receiv'd them in her bed,

And o'er the spot the crowd may tread

In carelessness or mirth,

There is an eye which could not brook

A moment on that grave to look.

 

I will not ask where thou liest low,

Nor gaze upon the spot;

There flowers or weeds at will may grow,

So I behold them not:

It is enough for me to prove

That what I lov'd, and long must love,

Like common earth can rot;

To me there needs no stone to tell,

'T is Nothing that I lov'd so well.

 

Yet did I love thee to the last

As fervently as thou,

Who didst not change through all the past,

And canst not alter now.

The love where Death has set his seal,

Nor age can chill, nor rival steal,

Nor falsehood disavow:

And, what were worse, thou canst not see

Or wrong, or change, or fault in me.

 

The better days of life were ours;

The worst can be but mine:

The sun that cheers, the storm that lowers,

Shall never more be thine.

The silence of that dreamless sleep

I envy now too much to weep;

Nor need I to repine

That all those charms have pass'd away,

I might have watch'd through long decay.

 

The flower in ripen'd bloom unmatch'd

Must fall the earliest prey;

Though by no hand untimely snatch'd,

The leaves must drop away:

And yet it were a greater grief

To watch it withering, leaf by leaf,

Than see it pluck'd to-day;

Since earthly eye but ill can bear

To trace the change to foul from fair.

 

I know not if I could have borne

To see thy beauties fade;

The night that follow'd such a morn

Had worn a deeper shade:

Thy day without a cloud hath pass'd,

And thou wert lovely to the last,

Extinguish'd, not decay'd;

As stars that shoot along the sky

Shine brightest as they fall from high.

 

As once I wept, if I could weep,

My tears might well be shed,

To think I was not near to keep

One vigil o'er thy bed;

To gaze, how fondly! on thy face,

To fold thee in a faint embrace,

Uphold thy drooping head;

And show that love, however vain,

Nor thou nor I can feel again.

 

Yet how much less it were to gain,

Though thou hast left me free,

The loveliest things that still remain,

Than thus remember thee!

The all of thine that cannot die

Through dark and dread Eternity

Returns again to me,

And more thy buried love endears

Than aught except its living years.

"And Thou art Dead, as Young and Fair" is reprinted from Works. George Gordon Byron. London: John Murray, 1832

La courbe de tes yeux... by Paul Eluard

La courbe de tes yeux... by Paul Eluard

The original poem in French was published in Capitale de la douleur in 1926. 
La courbe de tes yeux fait le tour de mon coeur,
Un rond de danse et de douceur,
Auréole du temps, berceau nocturne et sûr,
Et si je ne sais plus tout ce que j’ai vécu
C’est que tes yeux ne m’ont pas toujours vu.
Feuilles de jour et mousse de rosée,
Roseaux du vent, sourires parfumés,
Ailes couvrant le monde de lumière,
Bateaux chargés du ciel et de la mer,
Chasseurs des bruits et sources des couleurs,
Parfums éclos d’une couvée d’aurores
Qui gît toujours sur la paille des astres,
Comme le jour dépend de l’innocence
Le monde entier dépend de tes yeux purs
Et tout mon sang coule dans leurs regards.
***

The curve of your eyes
Translated by Anne-Charlotte Husson


The curve of your eyes goes around my heart,
A round of dance and sweetness,
Halo of time, nocturnal and safe cradle,
And if I don’t know any more all that I’ve lived through
It’s because I haven’t always been seen by you.
Leaves of day and scum of dew,
Reeds of the wind, perfumed smiles,
Wings covering the world with light,
Ships filled with the sky and the sea,
Hunters of noises and sources of colours,
Perfumes bloomed from a brood of dawns
That always lies on the straw of the stars,
As the day depends on innocence
The whole world depends on your pure eyes
And all my blood flows in their looks.