Saturday, 14 February 2015

Love Explained BY JENNIFER MICHAEL HECHT


Guy calls the doctor, says the wife’s   
contractions are five minutes apart.   
Doctor says, Is this her first child?
guy says, No, it’s her husband.

I promise to try to remember who   
I am. Wife gets up on one elbow,

says, I wanted to get married.   
It seemed a fulfillment of some

several things, a thing to be done.   
Even the diamond ring was some

thing like a quest, a thing they   
set you out to get and how insane

the quest is; how you have to turn   
it every way before you can even

think to seek it; this metaphysical   
refraining is in fact the quest. Who’d

have guessed? She sighs, I like   
the predictability of two, I like

my pleasures fully expected,   
when the expectation of them

grows patterned in its steady   
surprise. I’ve got my sweet

and tumble pat. Here on earth,   
I like to count upon a thing

like that. Thus explained   
the woman in contractions

to her lover holding on
the telephone for the doctor

to recover from this strange   
conversational turn. You say

you’re whom? It is a pleasure   
to meet you. She rolls her

eyes, but he’d once asked her   
Am I your first lover? and she’d   
said, Could be. Your face looks   
familiar. It’s the same type of

generative error. The grammar
of the spoken word will flip, let alone

the written, until something new is   
in us, and in our conversation.

To My Dear and Loving Husband by Anne Bradstreet, 1612 - 1672


If ever two were one, then surely we.
If ever man were loved by wife, then thee;
If ever wife was happy in a man,
Compare with me ye women if you can.
I prize thy love more than whole mines of gold,
Or all the riches that the East doth hold.
My love is such that rivers cannot quench,
Nor ought but love from thee give recompense.
Thy love is such I can no way repay; 
The heavens reward thee manifold, I pray.
Then while we live, in love let’s so persever,
That when we live no more we may live ever.

"I loved you first: but afterwards your love" BY CHRISTINA ROSSETTI


Poca favilla gran fiamma seconda. – Dante
Ogni altra cosa, ogni pensier va fore,
E sol ivi con voi rimansi amore. 
– Petrarca 
I loved you first: but afterwards your love
    Outsoaring mine, sang such a loftier song
As drowned the friendly cooings of my dove.
    Which owes the other most? my love was long,
    And yours one moment seemed to wax more strong;
I loved and guessed at you, you construed me
And loved me for what might or might not be –
    Nay, weights and measures do us both a wrong.
For verily love knows not ‘mine’ or ‘thine;’
    With separate ‘I’ and ‘thou’ free love has done,
         For one is both and both are one in love:
Rich love knows nought of ‘thine that is not mine;’
         Both have the strength and both the length thereof,
Both of us, of the love which makes us one.

Yours & Mine BY ALICE FULTON

Through your lens the sequoia swallowed me   
like a dryad. The camera flashed & forgot.
I, on the other hand, must practice my absent-
mindedness, memory being awkward as a touch   
that goes unloved. Lately your eyes have shut
down to a shade more durable than skin’s. I know you   
love distance, how it smooths. You choose an aerial view,   
the city angled to abstraction, while I go for the close   
exposures: poorly-mounted countenances along Broadway,   
the pigweed cracking each hardscrabble backlot.   
It’s a matter of perspective: yours is to love me   
from a block away & mine is to praise the grain-
iness that weaves expressively: your face.